Johnny Marr (* Oktober in Manchester; eigentlich John Martin Maher) ist ein englischer Musiker. Leben. Ich bin erst jüngst zu den Smiths vorgestoßen, und habe mir nach dem Konzert von Johnny Marr in Köln auch "Playland" gekauft. Es läuft in Endlosschleife. Entdecken Sie Playland von Johnny Marr bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei acedrycleangc.com
Johnny MarrEntdecken Sie Playland von Johnny Marr bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei acedrycleangc.com Former Smiths founder, composer and current alt-rock guitar god Johnny Marr has worked with a who's who of musicians throughout his magnificent career. Johnny Marr. Er ist einer der bedeutendsten Pop-Gitarristen der 80er Jahre: John Martin Maher, geboren am Oktober im nordenglischen Ardwick/.
Jonny Marr Navigation menu VideoJohnny Marr - The Bright Parade (Official Audio)
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Rough Trade Sire Warner Bros. New Voodoo. The Smiths Electronic Johnny Marr and the Healers Modest Mouse The Pretenders The The Bryan Ferry Pet Shop Boys Kirsty MacColl Talking Heads Marion Black Grape The Cribs John Frusciante Morrissey  Oasis Noel Gallagher Hans Zimmer The Charlatans Billie Eilish Finneas O'Connell The Killers.
Main article: The Smiths. Main article: The Smiths discography. For a complete discography, see Johnny Marr guest musician recordings. Retrieved 24 September Retrieved 11 November Retrieved 23 January February BBC News.
Retrieved 11 February The Independent. London, UK. Archived from the original on 31 March Retrieved 27 March St Augustine's Grammar School Old Boys.
Retrieved 11 April Factory: The Story of the Record Label. London: Virgin Books. Retrieved 8 March NME , cited at Foreverill. Archived from the original http on 28 September Retrieved 22 April Record Collector , cited at Foreverill.
Archived from the original http on 27 April The Guardian. Retrieved 15 May Retrieved 15 August Archived from the original on 20 August Retrieved 8 January Rolling Stone.
Retrieved 5 October Retrieved 30 January Archived from the original on 2 October University of Salford. Archived from the original on 20 October Retrieved 3 December Manchester Evening News.
Retrieved 23 July Archived from the original on 16 April UK: IPC Media. Retrieved 20 December Los Angeles Times.
Retrieved 20 July American Songwriter. Retrieved 12 July Pitchfork Media. Retrieved 5 November The Hollywood Reporter. Retrieved 27 September Capital Radio.
Retrieved 27 February Retrieved 15 October Tour Due to Family Illness". Retrieved 12 March Consequence of Sound.
Retrieved 26 January Brightside at Glastonbury ". Retrieved 6 August Marr's selections are summarised at morrissey-solo.
Archived from the original on 18 September Retrieved 1 December Retrieved 1 May Retrieved 2 May Guitar Player. Retrieved 15 January Retrieved 9 August Archived from the original on 31 July Retrieved 1 August Smiths on Guitar.
Audio Production Tips: Getting the Sound Right at the Source. CRC Press, Archived from the original on 16 July Retrieved 13 September Retrieved 29 April Archived from the original on 24 September Retrieved 7 October Johnny Marr — The British Masters — Chapter 4.
Noisey, hosted by YouTube. Retrieved 13 June The Observer. Retrieved 26 February Architects Journal. Apple Music. Johnny Marr. Boomslang The Messenger Playland Call the Comet.
Adrenalin Baby. Guest musician recordings The Smiths The The Electronic Modest Mouse The Cribs The Amazing Spider-Man 2 soundtrack. The Pretenders.
Chrissie Hynde Martin Chambers Nick Wilkinson James Walbourne Eric Heywood Carwyn Ellis James Honeyman-Scott Pete Farndon Robbie McIntosh Malcolm Foster Blair Cunningham T.
Adding this simple but effective melodic motif on top of the chord progression gives an otherwise okay-sounding rhythm part an additional layer of interest.
Throughout the figure, you alternate between strumming open chords on the beats and picking out single notes on the eighth-note upbeats, forming a descending melody on top of the chords, all in 1st position.
From there we switch to an open Em7 chord voiced E, B, E, G, D and continue adding high melody notes in a similar fashion. When strumming, keep your pick hand moving back and forth across the strings in a flowing, unbroken, down-up-down-up motion, even during the rests.
Strum this rhythm through the next two bars as you shift to C7 voiced C, Bb, E, G , and A6 voiced A, A, C , F. As you enter bar 4, hold on the chord F9 voiced F, A, Eb, G , then play a funky, sliding triple-stop lick through beats 3 and 4.
Barre your 1st finger across the top three strings at the 8th fret, then slide up a whole step to the 10th fret and continue strumming in 16th notes.
On beat 4, mute the strings by releasing your fret-hand grip on them, letting the index finger gently sit on the strings to keep them from ringing out as you shift back down to the 8th fret on the second 16th note of the final beat.
Marr often did this by building his single-note parts around arpeggios — chords broken up into single notes — and using scale tones to melodically stitch everything together.
From there you play an ascending and descending melodic line based on the A minor pentatonic scale A, C, D, E, G.
At the end of bar 4, a couple of legato finger slides are used in conjunction with sliding 6th intervals to create a sweet, slippery-sounding ending to the phrase.
Highlife is driven by one or more guitarists playing parts based on syncopated arpeggios and dyads two-note chords , typically using diatonic 3rds or 6ths.
Example 5 uses a similarly fashioned highlife-style syncopated uptempo eighth-note feel and arpeggiated approach. Note the use of legato finger slides in bars 1, 3 and 4, which lend expressiveness to the figure.